Daniel Martínez
Along the course of the Rhône river, A River Has No Shore reflects upon ecological anxiety and solastalgia as emotional responses to climate change and its mediatization.
Albedo questions today’s technocratic thought as a prevention of global warming: Solar Radiation Modification (SRM) as a form of geoengineering that resonates with past Anthropogenic interventions in the Earth’s climate.
As a trans-temporal dialogue between Alphonse Forel’s late 19th century studies and contemporary scientific research, FUI-42 reflects upon transitory watery landscapes manifesting nowaday's socio-environmental fluctuation.
(H) explores the paradoxical condition of a polarised but unifying element. Pointing out broader scenarios of connectedness across ecological, cultural, technological, and political landscapes, as an act of resistance for today’s socio-environmental fragmentation.
FAMUSA, Fabulous Sacred Mountain, explores the iconography that constructs the landscape of Montserrat (Barcelona, Spain). Building up on Roma i Casanova’s ideas in The Unnamable Paradise (El Paradís Indicible, 2001), “Landscape has—deep down—a moral dimension, it tells us how the world should be like or, rather, what it should look like.”
© Daniel Martínez, 2026 — All rights reserved